About this piece
A figure mid-passage — head bowed, face fragmenting into geometric planes, the body dissolving downward into hundreds of vertical steel rods that thin and splay as they reach the base. Into the Verdant is about the moment of transformation: not disappearance, but a return — form coming apart in order to become something else.
The base is lit from within. Green light rises up through the steel rods and catches the underside of the torso, suffusing the dissolution with something close to life. The face — heavier, more resolved, faceted like something broken and reassembled — is the last thing holding. Everything beneath it is already going back.